The consideration can be given to tie swinging straight and surrounding clubs. Mass is particularly effective in the exhibition where a number of gymnasts performed a series of large simple swinging in time with each other, maybe some music choreographed to attend appropriate timing and add to the entertainment.
A good piece of music for this is the last version of James in the cathedral of Winchester, provides an excellent rhythm and tempo to the swing of the club. The design of individual sequences, consideration should be given to including all types of elements with the device and the body, but is equally if not more, important to build the sequence around the age and ability of the gymnast .
It is far better to write a routine to which the gymnast can meet and can perform well, she is composing one beyond its limitations. In a competition mark is lost every time you fall into a club, and secondly, the composition is disengaged, certainly showing a lack of harmony between the equipment and body work.
The level changes are also particularly important and must be evident, as well as other variables on the overall composition of an exercise. The emphasis should be places of safety when working at the clubs with large numbers in the group. If there are few devices to go around, then it is perfectly possible for individuals to work with just one club each, in fact, this is probably more practical and beneficial in the early days.
The car must be aware of the amount of space needed for each of the exercises with the clubs. The rocking and skills surrounding obviously take much room, and if sufficient space is not available, then the class should be divided into two or more groups to practice these in turn.
